Joan Miró in 1935 (Photo: Carl van Vechten/Wikimedia Commons) |
I interviewed the museum's director, Judy Greenberg, once for an article I wrote a few years ago about a citywide celebration of DC's own Color Field artists, of which Morris Louis was perhaps the most famous. It was a rare treat to meet her and hear about the genesis and ongoing plans of this very fine museum, which also features many music programs related to its exhibitions. (The Art Dossier also interviewed Greenberg in 2011.)
Although I'm not super familier with Miró's work, I've always found it quite whimsical, the same way Paul Klee fascinates with his quirky take on the world.
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